Busted

Helen is waiting patiently at her favourite Cheese Shop Cafe for her granddaughter Susie and daughter Janey to join her for lunch. Until they are half an hour late, and then—not so patiently. Meanwhile, there's a young American guy, who seems to think he's Sam Spade. Or is it Philip Marlowe?
Cast: AJ Fidalgo as Special Agent Sam Marlow; Tayo Aluko as Detective Inspector Frank Ensign (there is no 'T'); Frances Broudie Oldridge as SWAT Team Leader Officer Linda Carter; Shea Smith as Dieter Putton; Flloyd Kennedy as Helen, Janey, Ilse and Rina Gineheart; Theme music composed and performed by John T La Barbera.
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FLLOYD Hey everybody, this is FLLOYD KENNEDY, creator of "Am I Old Yet?" the audio comedy drama that follows a character by the name of Helen Docherty, an elderly woman negotiating life in the 21st century, with the help of, or in spite of, her family, friends and random strangers. You can support the programme with a small donation via buymeacoffee.com/amIoldyet, or by becoming a regular subscriber at patreon.com/amIoldyet. And of course, if you follow us on your podcasting app, you will always have the episodes dropping down automatically as they arrive.
This is Episode 3 of Season 11, “Busted” in which we find Helen waiting to have lunch with her granddaughter Susie and her daughter Janey at the Cheese Shop Cafe CAFÉ CHATTER
SAM: [TALKING INTO HIS PHONE RECORDING APP, A LA SAM SPADE/PHILIP MARLOWE] It was another cold grey windy day in London, and the Cheese Shop Cafe in South Morden was beginning to get busy. The old lady sitting on her own at the corner table was listening to someone on her cell phone as I kept an eye on her.
She closed down the call and began to mutter something. I couldn't make out what she was saying, but she definitely was upset about something.
HELEN: No it's not frigging well alright darling Susie. I've been sitting here for half an hour and I am not happy.
SAM: Just then, the waitress approached her,
ILSE: Good morning, Helen. Your regular?
HELEN: Yes, thanks, Ilse. Oh, wait - I'll have cheese and tomato today. Thanks. Is that all right?
ILSE: Of course, of course. But toasted?
HELEN: Oh, yes, definitely toasted. I love the crunch.
ILSE: Yes, it is nice. So I get it for you. It won't be long. Are you waiting for someone?
HELEN: Susie was supposed to be coming, coming over to have lunch. She wants to talk to me about something important, no idea what, but there you go. And now she's just cried off.
ILSE : Oh, that's terrible.
HELEN: Oh, no, it's not terrible. It's just life, isn't it? Young people, they do things like that. It's not so much being stood up, it's more because she couldn't even be bothered to phone me to let me know. Oh, never mind.
ILSE: I'll get your coffee.
SAM: As the waitress walked away, I made my move... [HE WALKS OVER, SPEAKS NORMALLY] Excuse me, ma'am, do you need this chair?
HELEN: Sorry, what was that?
SAM: I was just wondering if you need this chair. It's a bit crowded here.
HELEN: Oh! … I'm actually waiting for someone. I'm sorry--
SAM: Oh no. It's no, no, don't bother it's all right. Thank you. I'm sorry to bother you. Have a nice day.
HELEN: No worries, mate... You too... Now then. Where are you, Janey?
SAM: As I moved away, she picked up her phone again
PHONE BEEPS AS SHE CALLS JANEY
HELEN: Janey? Where are you? No, I'm not going anywhere. I've just ordered a sandwich. Shall I order something for you? Oh... Oh, ok.... No, not at all. Just, whenever you get here.
ILSE: Here's your coffee. The sandwich won't be long.
HELEN: That's lovely, thanks Ilse. Oh. Where's that young man?
ILSE: Which one.
HELEN: The one who asked if he could sit here. He might as well, Janey will be at least half an hour. I can't see him anywhere.
ILSE: Perhaps he left.
HELEN: Oh I do hope not! I don't like to be the cause of your losing some business.
ILSE: Well... we are quite busy today. One less won't hurt me, don't worry about it.
FRANK: [CALLING OUT FROM THE OTHER SIDE OF THE ROOM] Oh miss!
ILSE: Excuse me.
FADING INTO FRANK AND SAM
FRANK: Here she comes. What'll you have?
SAM: [SPEAKING NORMALLY] I’ll have a cup of tea please.
FRANK: Tea? I didn't think Americans drank tea. Not proper English tea. Are you sure?
SAM: Yeah. When in Rome, you know! I'm sure I can handle it.
FRANK: Ok,
ILSE: Yes? Would you like to order?
FRANK: Yes please. I'll have a double shot Espresso, and my friend here will have a pot of your very best builder's tea.
ILSE: Of course. And something to eat?
FRANK: Oh... Uh... I'll have a chocolate brownie, and--
SAM: [INTERRUPTING] A fruit scone please. [HE PRONOUNCES IT 'SKOHN' TO RHYME WITH 'BONE']
ILSE: One chocolate brownie, and one fruit scone. Won't be long.
SAM: Did she say 'scone'? I thought it was scone. Did I say it wrong? Is that very bad?
FRANK: Don't worry about it, lad. She knows what you mean.
THEY DROP THEIR VOICES TO SPEAK FURTIVELY DURING THE NEXT SECTION
Now, have you identified the target?
SAM: Yeah. She's sitting over there, in the corner.
FRANK: Who?
SAM: That old dame. With the white hair. That's her. Exactly how Jose described her.
FRANK: Really. Hmm. I didn't think she'd be THAT old! He just said 'she's getting on a bit'.
SAM: Well, she sure is getting on a bit. No doubt about that.
FRANK: Right. Hard to imagine her as an international criminal, is it.
SAM: That's what I thought. Clever. What a cover. Eh? Eh? [LAUGHS]
FRANK: Shush. Don't want to draw attention.
SAM: Oh. Sorry Frank.
FRANK: She's obviously waiting for someone.
SAM: Yeah. That's what she said.
FRANK: What? You spoke to her? Are you crazy? We're supposed to be undercover!
SAM: Keep your shirt on. I just asked if I could use the spare chair. Checked out her accent. She's definitely an Aussie. Uh-huh! How about that? Eh? Still think it was a waste of time me coming over here to help you out? After all, I did all the hard work, tracking her down
FRANK: Oh. Ok.... Well done. Must be her then. Well, let's just sit back and see who turns up. This is going to be a lot easier than I thought... a lot easier than I thought.
MUSICAL INTERLUDE AND JANEY ARRIVING
JANEY: Mum... I'm so sorry you had to wait. Oh [SIGH AS SHE SITS DOWN] thank goodness you managed to save a chair. I've never seen this place so busy.
HELEN: Yes. It is a bit.
JANEY: I had to park 3 blocks away. What on earth is going on? I saw at least three police cars dotted all over the place.
HELEN: Crikey! Exciting. Some kind of 'bust' going on. In our quiet little patch. Oh dear.
JANEY: And that Susie! Honestly, Mum. She gets more irritating by the day. I think she's having a second teenage, behaving like a 14 year old. Do you know, she called me up at 7 o'clock in the morning, wanting me to drive her to St Alban's for some demo or other.
HELEN: So that's what it was.
JANEY: Didn't she tell you?
HELEN: No. She didn't even call me up to cancel. What's it all about this time?
JANEY: I have no idea.
HELEN: Didn't you ask her?
JANEY: No I did not. I was so angry. She seems to have decided I do nothing but sit around waiting for her to ask me to drive her halfway across the country whenever she pleases. I don't know what's come over her these past few months.
HELEN: What, did you just sit in the car and not speak to her?
JANEY: No! I didn't take her. I had an online call with the publisher in Sydney, and then I had you.
HELEN: You had me?
JANEY: For lunch of course.
HELEN: Oh. Oh well. Here you are. Are you hungry?
JANEY: Yes I am. Now where is Ilse?
HELEN: She over there, with the American.
JANEY: Who? Oh! That young man in the baseball cap on backwards. How do you know he's American?
HELEN: Really? Ok… Because he came and spoke to me. Wanted to know if the chair was free.
JANEY: And was it?
HELEN: Yes, but there were other chairs just as free, so I said no, it wasn't.
JANEY: Good for you. The cheek!
HELEN: Yes. And then I felt guilty, so I asked Ilse to track him down, but he must have left. And now he's back.
JANEY: And he has a chair of his own. And a friend to sit with.
HELEN: Indeed. Nice.
CROSS FADE TO ILSE WITH THE MEN
ILSE: and here's your tea. Enjoy.
SAM: Thanks ma'am. Looks great! Looks great, doesn't it, Frank? Cute little pot!
FRANK: [WITH A MOUTHFUL OF BROWNIE] Yes. Great.
SAM: Real English tea. [POURING] Wow! That's pretty black. I mean, dark. I mean strong—
FRANK: I know what you mean, Sam. It's just tea. Put some milk in it.
SAM: Oh, sure. Where’s the milk?
FRANK There.
SAM Aw… in a dinky little jug… [MORE POURING] Ah. That looks better. I mean—
FRANK: You mean it looks like tea. How does it taste?
SAM: Yeah. Ok, here goes! Taking one for the team.
FRANK: What team are you talking about, Sam?
SAM: Oh, you know. The team that says Americans don't know how to drink proper tea, like the English.
FRANK: Of course. Well? Go on then. I'm looking forward to this.
SAM: Me too. [SLURP]. Ewch!! What the - what have they done to it?
FRANK: It's what they haven't done to it, mate. Come on, drink it up.
SAM: Yeah sure.
FRANK'S WALKIE TALKIE VIBRATES
FRANK: D.I. Ensign here...
SWAT TEAM OFFICER LINDA CARTER: D.I. Enstein?
FRANK No. EnSIGN. Without the T.
LINDA Yes. Yes that’s right, there is no 'T' Weird. Do you have eyes on the target?
FRANK Yes, we have her under surveillance.... Just say the word...
LINDA We'll be in place in five. Do not - I repeat - do not draw attention to yourselves. You sure it's her?
FRANK Yes, it's the older woman, and a younger person, just as you said... and at least one of them's Australian...
FADE DOWN UNDER SAM'S NARRATION
SAM: Just then, the word came in from Scotland Yard, and the British Bobby knew what to do. He and his trusted FBI colleague would take down this old so-called lady, this ancient viper, this decrepit affront to humanity-
FRANK: [IN SAM'S EAR] What are you doing?
SAM: Wha-?? Nothing. I was just...
FRANK: Just what? Who were you talking to?
SAM: No-one. I’m recording my notes, that's all. Saves a lot of work when I get back to the office, having a recording with all the details...
FRANK: Well, give it a break. I want to enjoy my coffee while I can…
[FADING BACK TO HELEN AND JANEY]
HELEN And I started to crochet these squares, just to see if I remembered how to do it
JANEY You used to make the most amazing doilies, to use as coasters.
HELEN Ha! You remember those!
JANEY Yes, and I remember that beautiful dress you made for one of my dolls, when the school asked us to bring a toy in to show each other.
HELEN Yes, and we never saw it again, did we! Because they actually asked you all to bring in a toy to share, as in, give away to the local children’s home.
ILSE Did you want anything else, Helen? Janey?
JANEY No, I’m fine thanks Ilse. How about you Mum?
HELEN No, all good here. That was lovely thanks, Ilse.
JANEY We’d better make a move. Mum, the car is quite a long way away, I’ll go and bring it to the door. Shouldn’t be too long. Give me 10 minutes or so.
HELEN Ok. What time is it now? Oh, 10 to 2. Righto. Ilse, can I settle up with you now?
[FADING BACK TO SAM AND FRANK]
FRANK How’s your SKOHN? [HE’S TAKING THE MICKEY]
SAM You mean my scone? I’m a quick learner you know. Oh! Are you taking the mick?
FRANK Yes, Sam. I am taking the Mick.
SAM Well, for your information, it was delicious. I might order another one.
FRANK We don’t have time for that. I think they’re getting ready to leave, look, she’s putting her coat on.
[CONVERSATION IN THE DISTANCE FADES IN]
RINA Gineheart: No you don’t get to keep the change! What do you think I am? Made of money?
PUTTON Not at all. I just thought— I - I - I don't know what I thought
RINA Well you know what thought did, don’t you.
PUTTON What? No…
RINA He thought he’d plant a feather, and he’d grow a chicken. Didn’t your mother teach you anything?
PUTTON I – I – I welll I don't remember her teaching me that—
RINA You just thought you could screw me over, like your old pal Abbot? Or was it Costello? Who cares, same same. Well, you know what happened to him, don’t you, possum.
PUTTON Oh, yeah
RINA Come on then. Get back in my pocket. Let’s get out of here… I’ve got a plane to catch, and a country to take over. [CHAIR SCRAPES BACK, SHE BUMPS INTO HELEN]
HELEN Ow!
RINA Out of my way, you stupid old cow. Come on, sweetie! Putinie-pie. Hurry up!
PUTTON Please don't call me that. It makes me look bad. I'm nothing like that Rusky.
RINA Nah. You're more like his predecessor
PUTTON Who, Yeltsin?
RINA I was thinking, y'know, before that. Ivan the really Terrible.Come on, let's get out of here. I've got a plane to catch, and a country to take over. [LAUGHS] I'm so excited! Where's me coat? Get my coat, you idiot...
ILSE Helen! Are you alright?
HELEN Yes, thanks Ilse. Just off to meet Janey.
ILSE Well take care.
HELEN. Will do. You too. [SHE HEADS OUTSIDE]
FRANK Target is on the move. I repeat, target is on the move.
SAM As the sweet looking white haired old lady moved towards the door, she had no idea that a SWAT team from Scotland Yard were waiting to pounce. And that would be the end of her criminal reign of terror on two continents.
SWAT WOMAN Hold it right there, lady. You are under arrest.
RINA What are you on about. Please explain. Don't you know who I am?
SWAT WOMAN I certainly do. You are Rina Geneheart, and you are wanted in The Hague for crimes against humanity.
RINA What? PUTTON, you idiot. You lead me into a trap.
PUTTON No, I swear. I didn’t.
RINA: I don’t believe you for a minute. You and your swearing, swear this, swear that. What are you going to come up with next?
PUTTON: Well I swear I didn’t lead you into any trap.
RINA : Yeah. But you’re always swearing. You’re a foul mouthed git. I know you—
SWAT WOMAN You too, PUTTON. Hands behind your back. NOW!!
SAM WHAT THE FUCK? No! That’s not her! Frank, they’ve got the wrong woman. Hey you!
SWAT WOMAN Are you talking to me, sunshine? Do want to join them?
SAM NO! I’m with you guys. FBI, Special Agent Sam Marlowe, look, here’s my badge.
SWAT WOMAN Is that right, DI Enstein?
FRANK Ensign!!! Sadly, yes, Officer. He’s with me.
SAM But what about the Aussie woman?
SWAT WOMAN This is she, dickhead. Look. Here’s her picture. It's in the one in the National Gallery of Australia.
SAM Oh. Oh yeah... That's her alright... [
FADE TO HELEN GETTING INTO JANEY’S CAR]
JANEY [ROLLS DOWN WINDOW AND BEEPS CAR HORN] Mum!
HELEN Thanks darling. What a treat! Door to door service. Oh look, there’s a BBC outside broadcast truck over there.
JANEY Oh yes. [CAR MOVES OFF]. Wonder what they're filming here.
HELEN I guess we'll see it on the news tonight. Now, about your daughter, I think she's...
END
OUTRO
That was “busted" , episode _3_ season 11. You heard me, Flloyd Kennedy, as Helen, Janey, Ilse and Rina Geneheart, with Tayo Aluko as British Nigerian Detective Inspector Frank Ensign, AJ Fidalgo as FBI Special Agent Sam Marlowe and Frances Broudie Oldridge as SWAT team leader, officer Linda Carter. The theme music is from John T La Barbera’s “In the Labyrinth”
Please take a moment to rate and review it in your favourite podcasting app, or drop a comment on the reviews page on the websitewww.amioldyet.com/reviews. If you haven’t already done it, you can always sign up for Fable and Folly PLUS, which gives you Ad Free access to this, and many other fabulous audio fiction podcasts thanks for listening. Stay safe.
OUTTAKES
Tayo
Doesn't it sound like "Ade"? (the character Tayo plays in "Baked Off!)
Flloyd
Well, you're doing different things. The accent is the same, but the character's very different. It's two different podcasts. Anyway, this is "Am I Old Yet?"
Tayo
Oh. [LAUGHS] Oh, thank goodness.
Flloyd
There you go. Yeah. No, no. If it was in "Baked Off!", I'd have asked you to do something different.
Tayo
Oh right.
RINA
Putton? You idiot. You led me into a trap.
PUTTON
No, ah, I swear I didn't.
RINA
Oh, don't believe you for a minute. You and your swearing. Swear this, swear that. What are you gonna come up with next?
PUTTON
Well, I swear I didn't lead you into any trap at all.
RINA
Yeah, but you're always swearing, aren't you? You're a foul mouthed git. I know you.
Shea
You don't know me at all, Rina.
Flloyd
[LAUGHS]
Shea
You know. I feel like quitting right now.
Flloyd
My plan, my devilish plan is working.
Shea
I've been under your sagging armpit for the last three years.
Flloyd
Now.
Shea
And I haven't enjoyed one moment of it. It smells like rotten cotton balls, to tell you the truth.
Flloyd
More like coal balls.
Shea
Yes, exactly. Cold balls served with a side of cucumber. I'm going to see what Yeltsin's up to.
Flloyd
Didn't he die? I think he did.
Shea
I think he did.
Flloyd
Okay.
Shea
That's where I'm headed.
Flloyd
Yeah. Oh, that's great. Yeah. Thank you so much, Shea.
.

Frances Broudie Oldridge (Rozzie, Josie Harkins, Marta Polensky, Apate)
Actress
Frances is a vocalist, actor, voice actor and audio producer. She has just published her production of 'The Chavman Chronicles' written by Db Morgan and available on Audible, in which she also plays Mullins and Tracy Hummer as well as providing much of the background music.
The movie ‘Blood Highway’ based on real events is now out on Amazon Prime. Frances plays Francesca Rose, wife and mother placed in a home suffering from dementia. She appears as an apparition in a frightening sequence to her trapped pregnant daughter as she fights for her life in an overturned car.
Also, look out for Frances as Shelly Bass in ‘MorrisMen’, an urban revenge feature film due for release in 2023.
Upcoming projects for 2023 include the film 'Something Snapped’, as well as the release of a new album entitled ‘Consequence of Love’ plus a pop video.
You can access her back catalogue of music with Tracing Arcs on Spotify, Apple Music and Amazon.

Tayo Aluko
Actor (Deji, barman, Anansi, Henry, Tunde, D.I. Frank Ensign))
Tayo Aluko is a playwright, a stage and TV actor, and a singer born in Nigeria, and living in Liverpool. His one-man play about Paul Robeson, titled CALL MR ROBESON, has taken him as far afield as the North West Territories of Canada and Australia and New Zealand, and to New York’s Carnegie Hall. A second play, JUST AN ORDINARY LAWYER, deals with Black liberation struggles worldwide, and has also been performed on three continents. He has initiated an international project titled MAPPING “GREATNESS,” in which people of the Global Majority worldwide film themselves performing his poem GREATNESS IN A TIME OF COVID in many languages, as a response to Imperialism and the global pandemic. His audio play PAUL ROBESON’S LOVE SONG is available online. He continues to write drama which demonstrates how Black History is everybody’s history, every day of every year, and is a history of resistance, resilience and triumph.

AJ Fidalgo
Voice Actor
AJ Fidalgo is a middle-aged, Philadelphia-based, amateur voice actor. Outside the AD world, he keeps busy as a good husband, a great toddler dad, and a halfway decent professional arguer.

Shea Smith
Actor, writer, producer
I've been a producer, actor, podcaster and enjoy all things where story telling is involved.
Creating moments that make people feel something is a great gift to give to the world and I'm very grateful for this opportunity.